{"title":"Joni Mitchell","description":"","products":[{"product_id":"joni-mitchell-archives-vol-1-the-early-years-1963-1967-5cd","title":"Joni Mitchell Archives – Vol.1: The Early Years (1963-1967) 5CD","description":"\u003cp\u003eJONI MITCHELL ARCHIVES VOL. 1: THE EARLY YEARS (1963-1967) features nearly six hours of unreleased home, live, and radio recordings that flow chronologically to paint a rich portrait of Mitchell’s rapid growth as a performer and songwriter during the period leading up to her debut album. This treasure trove of unheard audio includes 29 original Mitchell compositions that have never been released before with her vocals.\u003c\/p\u003e\r\n\u003cp\u003eThis 5CD collection includes a 40-page booklet that features many unseen photos from Mitchell’s personal collection as well as new liner notes featuring conversations between writer\/filmmaker Cameron Crowe and Mitchell, who recently spent a couple of Sunday afternoons together discussing her archives. Crowe will continue to provide liners for future releases in the series.\u003c\/p\u003e\r\n\u003cp\u003eThrough a wealth of unreleased live performances, home recordings, and radio broadcasts, ARCHIVES VOL. 1 brings into focus the period when Mitchell was finding her voice artistically. It shows her moving away from the folk standards of her early days (“John Hardy” and “House Of The Rising Sun”) and starting to write and sing her own songs (“Day After Day” and “Urge For Going.”)\u003c\/p\u003e\r\n\u003cp\u003eARCHIVES VOL. 1 reveals just how prolific a songwriter Mitchell was at the time. In addition to early versions of songs that would appear on Song To A Seagull (“Michael From Mountains” and “I Had A King”), the set also features songs destined for later albums: “Chelsea Morning”  “Both Sides Now” (Clouds, 1969); “The Circle Game” (Ladies of the Canyon, 1970); and “Little Green” (Blue, 1971).\u003c\/p\u003e\r\n\u003cp\u003eMore than a just historic document, these recordings crackle with energy thanks to a vibrant and enchanting Mitchell. On many, you can hear her turning  tuning her guitar and telling a story about the song before playing it. That includes her rare 1967 cover of Neil Young’s “Sugar Mountain,” a song she says inspired her to write “The Circle Game.”\u003c\/p\u003e\r\n\u003cp\u003eThe collection begins in 1963 with her earliest-known recording as a 19-year-old Mitchell performs at CFQC AM, a radio station in her hometown of Saskatoon, Saskatchewan. The box culminates with a stirring, three-set 1967 nightclub performance recorded at the Canterbury House in Ann Arbor, Michigan.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613636083958,"sku":"603497849963","price":64.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/jonimitchell_5cd_box_expanded_4000x4000_d00ae666-11b7-4703-a6ae-8bbbc0e158cc_576x576_1.jpg?v=1735229967"},{"product_id":"live-at-canterbury-house-1967-3lp-180g-black-vinyl","title":"Live at Canterbury House 1967 3LP 180g Black Vinyl","description":"\u003cp\u003e\u003cspan\u003eLIVE AT CANTERBURY HOUSE – 1967 3LP features Mitchell’s entire three-set performance from October 27, 1967. Bob Franke, who was covering Mitchell’s show at Canterbury House for the Michigan Daily while also moonlighting as a doorman at the club, pens the liners for LIVE AT CANTERBURY HOUSE. His original review for the Michigan Daily is also included.\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613642473718,"sku":"603497846672","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/jonimitchell_3lp_black_4000x4000_576x576_fac0f740-308f-4069-86b3-5bd3a2c9f60b.jpg?v=1735230070"},{"product_id":"ladies-of-the-canyon-1970-lp","title":"Ladies Of The Canyon (1970) LP","description":"\u003cp\u003e180 Gram Vinyl\u003cbr\u003e\r\nRemastered by Bernie Grundman under the supervision of Joni Mitchell\u003cbr\u003e\r\nIncludes \"Woodstock\" \u0026amp; \"The Circle Game\"\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613648535798,"sku":"603497844180","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/3-2023-JoniM-ProImage-Ladies_Of_The_20Canyon.png?v=1735230151"},{"product_id":"the-asylum-albums-1976-1980-6lp","title":"The Asylum Albums (1976-1980) [6LP]","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e“It’s not just the artifact – music and lyrics – that Joni gives us. Her artistry leaves us, ourselves, changed. She has shifted things around inside us. And that’s how artists change the world.” - Meryl Streep\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAfter THE HISSING OF SUMMER Lawns tour, Joni Mitchell retreated to Neil Young’s beach house to recover. Eager to travel but undecided about a destination, Mitchell was unexpectedly invited on a cross-country road trip with friends. It was one of three road trips she took between 1975 and 1976 and the beginning of a period defined by wanderlust, both in her physical travels and musical exploration. This transformative phase is the focal point of THE ASYLUM ALBUMS (1976-1980), the next release in the Joni Mitchell Archives series.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new collection showcases Mitchell at her most daring across HEJIRA (1976), DON JUAN’S RECKLESS DAUGHTER (1977), MINGUS (1979), and the live album SHADOWS AND LIGHT (1980). Renowned audio engineer Bernie Grundman remastered all four releases included in this boxed set from the original flat analog master tapes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDuring this period, Mitchell boldly declared her move from the “hit department” to the “art department.” Critics were slow to catch up, but her creativity was in overdrive. Instead of session aces, she began recording with jazz virtuosos like Larry Carlton and Pat Metheny (guitar), Michael Brecker (saxophone), Herbie Hancock (keyboard), and Don Alias (percussion), as well as several members of Weather Report, including Jaco Pastorius (bass) and Wayne Shorter (saxophone).\u003c\/p\u003e\r\n\r\n\u003cp\u003eHEJIRA stands out as a testament to Mitchell’s artistic evolution. Its subdued instrumentation, coupled with her introspective lyrics, resulted in timeless tracks like “Coyote” and “Furry Sings The Blues” with Young on harmonica. Mitchell once said: “I suppose a lot of people could have written a lot of my other songs, but I feel the songs on Hejira could only have come from me.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eHer journey continued with DON JUAN’S RECKLESS DAUGHTER, a double album of largely experimental music. It included “Paprika Plains,” a side-long piano piece with orchestral arrangements. It found a receptive audience in musical seekers like Bjork, who said the album’s fearless approach later inspired her music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltimately, Mitchell’s path led to Mingus, her collaboration with jazz titan Charles Mingus, who wrote several songs for the project. Mingus died shortly before the album was complete, and Mitchell dedicated it to him. Four songs by Mingus with lyrics written by Mitchell appeared on the album, including a version of “Goodbye Pork Pie Hat,” Mingus’ tribute to saxophonist Lester Young, and one of his most famous compositions. In the album’s liner notes, Mitchell said she felt fully immersed in jazz for the first time while making the record. “It was as if I had been standing by a river – one toe in the water – feeling it out – and Charlie came by and pushed me in – ‘sink or swim’…”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe final entry in THE ASYLUM ALBUMS (1976-1980) is the double live album Shadows and Light. It was Mitchell’s second live album and her last release with Asylum Records. She recorded it during the tour for Mingus in September 1979 at the Santa Barbara Bowl. Except for the performance of her classic song “Woodstock,” the album focused on songs from her most recent albums, like “Amelia,” “Dreamland,” and “The Dry Cleaner From Des Moines.” The Persuasions, a vocal group popular in the 1960s, also appeared on two songs: the title track and a cover of “Why Do Fools Fall In Love.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe cover art for THE ASYLUM ALBUMS (1976-1980) includes a portion of one of Mitchell’s original paintings. Fans will enjoy a full version of the whimsically abstract landscape as an accompanying insert included in the album packaging for both the CD and LP configurations. Accompanying the set is a heartfelt essay penned by Oscar-winning actress Meryl Streep, a lifelong fan of Mitchell’s work.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613648929014,"sku":"603497827022","price":149.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/JoniMitchell_AsylumAlbums_76-80_LP.png?v=1735230163"},{"product_id":"the-hissing-of-summer-lawns-1975-lp","title":"The Hissing Of Summer Lawns (1975) LP","description":"\u003cp\u003e180 Gram Vinyl\u003cbr\u003e\r\nRemastered by Bernie Grundman under the supervision of Joni Mitchell\u003cbr\u003e\r\nIncludes \"In France They Kiss On Main Street,\" \"Edith And The Kingpin,\" and \"The Jungle Line\"\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613650895094,"sku":"603497841349","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/3-2023-JoniM-ProImage-HissingSummerLawns.png?v=1735230186"},{"product_id":"the-asylum-albums-1972-1975-4cd","title":"The Asylum Albums (1972-1975) [4CD]","description":"\u003cp\u003eJoni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece Blue, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with Mingus, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.\u003cbr\u003e\r\n \u003cbr\u003e\r\nExplore the beginning of that prolific era with THE ASYLUM ALBUMS (1972-1975), the next installment in the Joni Mitchell Archives series. The collection features newly remastered versions of FOR THE ROSES (1972), COURT AND SPARK (1974), the double live album MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). All four were recently remastered by Bernie Grundman.\u003cbr\u003e\r\n \u003cbr\u003e\r\nThe cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: “Joni’s music is so deep and transporting. She comes right from the source. There is no mistaking it…For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns…are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nTHE ASYLUM ALBUMS (1972-1975) follows Mitchell’s musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, “You Turn Me On, I’m A Radio” and her highest-charting (#7) single “Help Me,” plus favorites like “Free Man In Paris,” “Raised On Robbery” and “In France They Kiss On Main Street.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nFOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress’ National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell’s career. It was nominated for multiple GrammyÒ Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for “Down To You.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nMILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy Award nomination for Best Female Pop Vocal Performance.\u003cbr\u003e\r\n \u003cbr\u003e\r\nAll pre-orders will receive an exclusive, limited edition 7” x 10” of the painting on the cover of the box.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613652402422,"sku":"603497840960","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/Slipcase_20Cover_JoniMitchell_AsylumAlbums_1_CD_Cover.jpg?v=1735230214"},{"product_id":"live-at-carnegie-hall-1969-3lp-black-vinyl","title":"Live At Carnegie Hall, 1969 – 3LP (Black Vinyl)","description":"\u003cp\u003ePreviously Unreleased,\u003cbr\u003e3LP Set 180 G vinyl\u003cbr\u003eJoni’s debut performance at Carnegie Hall recorded by Reprise in 1969 and mastered by Bernie Grundman\u003cbr\u003eIncludes essay by Graham Nash\u003cbr\u003eLimited Edition of 15,000\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613664526582,"sku":"603497844517","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/jonimitchell_carnegie_3lp_blackvinyl.jpg?v=1735230427"},{"product_id":"joni-mitchell-love-has-many-faces-a-quartet-a-ballet-waiting-to-be-danced-8lp-180-gram-vinyl","title":"Joni Mitchell - Love Has Many Faces: A Quartet, A Ballet, Waiting To Be Danced (8LP 180 Gram Vinyl)","description":"\u003cp\u003eLOVE HAS MANY FACES - On vinyl for the first time as a limited-edition, 8LP boxed set. Limited to 5,000 individually numbered copies, the set is presented in a hard-bound deluxe folio package. It includes 53 songs on eight 180-gram LPs. Etchings of Mitchell’s artwork are featured on four individual album sides, each one signifying the end of an act in the ballet.\u003c\/p\u003e\n\u003cp\u003eIt truly is an artist-curated collection. Mitchell selected the material from 40 years of recording. She designed the package, which includes a book containing 53 lyrical poems, six paintings, and an autobiographical text illuminating her recording process. It is funny, mystical, and informative.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMitchell organized the music into different thematic acts, which allowed her songs to interact with one another in a whole new way. The process, she says, was a lot like making a film. “I had forty years of footage to review. Then, suddenly, scenes began to hook up. Then series began to form. Instead of it being an emotional roller coaster ride as it was before—crammed into one disc—themes began to develop. Moods sustained. I was getting there…When this long editorial process (two years) finally came to rest, I had four ballets or a four-act ballet—a quartet. I also had a box set.”\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613676683510,"sku":"603497856244","price":174.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/joni_mithcell_-_love_hads_many_faces_8lp.jpg?v=1735230628"},{"product_id":"joni-mitchell-archives-vol-4-the-asylum-years-1976-1980-4lp","title":"Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) [4LP]","description":"\u003cp\u003e\u003cstrong\u003eFeatures Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, And 36-Page Book With New Photos \u0026amp; An Extensive Conversation Between Joni \u0026amp; Cameron Crowe\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSourced From Original Stereo Reels, Nagra Film Recordings, Multi-track Tapes, Radio Airchecks \u0026amp; Cassette Tapes\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThroughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA [1976], the gold-certified double-LP DON JUAN’S RECKLESS DAUGHTER [1977], her collaboration with Charles Mingus entitled MINGUS [1979], and live album SHADOWS AND LIGHT [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4: THE ASYLUM YEARS (1976-1980), due October 4th.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable as a 6CD, 4LP (featuring Joni's personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA, DON JUAN’S RECKLESS DAUGHTER, and MINGUS. It covers the Bread \u0026amp; Roses Festival as well as the Anti-Nuclear Rally. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613698212086,"sku":"603497823697","price":99.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/03-2024-JoniMitchell-ProductImages-02.png?v=1735230928"},{"product_id":"archives-vol-3-the-asylum-years-1972-19755cd","title":"Archives, Vol. 3: The Asylum Years (1972- 1975)(5CD)","description":"\u003cul\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eNever-Before-Heard Demos, Early \u0026amp; Alternate Versions of Classic Songs, Historical Performances\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eBook Featuring Photos \u0026amp; Conversation With Joni \u0026amp; Cameron Crowe\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eSessions With James Taylor, Neil Young \u0026amp; Tom Scott \u0026amp; the L.A. Express\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCome 1972, Joni’s singular songwriting talent and poetic gifts were undeniable. Fresh off the back-to-back Platinum-certified releases of 1970’s LADIES OF THE CANYON and 1971’s BLUE — totemic albums whose artfulness and ubiquity would influence generations of songwriters — Joni had grown wary of mounting media scrutiny. Everything from her style choices to romantic partners became the subject of far more gossip column inches than were ever dedicated to the lifestyle minutiae of her male counterparts. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn response, she had pulled back, announcing an early retirement from the stage in 1970 and moving to the quiet expanses of British Columbia’s Sunshine Coast. It was a fruitful change of scenery. Inspired by her proximity to nature and refreshed by the peaceful seclusion, she began constructing the songs that would become FOR THE ROSES. This respite thrust Mitchell into a remarkably fertile creative period, yielding a run of albums — 1972’s FOR THE ROSES, 1974’s COURT AND SPARK, and 1975’s THE HISSING OF SUMMER LAWNS — that would simultaneously expand and refine the scope of her music. Her adventurous, intricate arrangements and growing formidability as a bandleader injected these songs with a clarity of purpose, a potent muscularity, and a sense of possibility — it is among the most exciting eras of a near peerless career.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis era comes into even greater focus on JONI MITCHELL ARCHIVES, VOL. 3: THE ASYLUM YEARS (1972-1975). It’s the latest entry in the GRAMMY-winning series exploring the vast untapped archives of rare Joni recordings — a project guided intimately by Joni's own vision and personal touch. The collection begins with an early cut of “Cold Blue Steel And Sweet Fire,” one of two songs (along with “For The Roses”) test-driven during a visit to a Graham Nash David Crosby recording session at Wally Heider’s in Hollywood.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom there, you'll be treated to early demos and alternate versions from sessions from FOR THE ROSES, COURT \u0026amp; SPARK, and THE HISSING OF SUMMER LAWNS; historic live show recordings, including the entirety of Mitchell’s triumphant 1972 return to Carnegie Hall and a definitive gig with her COURT AND SPARK backing band Tom Scott \u0026amp; the L.A. 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Barry Bowman was working as a DJ at radio station CFQC in 1963 and provides the liner notes for EARLY JONI.\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613804380406,"sku":"603497846665","price":21.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/jonimitchell_1lp_black_4000x4000_576x576_faafd17b-716d-4702-aca3-7ecb50313b10.jpg?v=1735231726"},{"product_id":"the-reprise-albums-1968-1971-4cd-box-set","title":"The Reprise Albums (1968 - 1971) 4CD Box Set","description":"\u003cp\u003e\"\"THE REPRISE YEARS (1968-1971) 4CD box set features newly remastered versions of Joni Mitchell’s first four studio albums - Song To A Seagull (1968), Clouds (1969), Ladies Of The Canyon (1970), and Blue (1971). In the case of Song To A Seagull, the original mix has been recently updated by Mitchell and mixer Matt Lee. The cover art for THE REPRISE YEARS (1968-1971) features a previously unseen self-portrait Mitchell painted during the time period that was recently rediscovered in one of her old sketchbooks and includes an essay by Grammy winning singer-songwriter Brandi Carlile.\u003c\/p\u003e\r\n\u003cp\u003eIncludes the Definitive Albums\u003cbr\u003eSONG TO A SEAGULL (1968)\u003cbr\u003eCLOUDS (1969)\u003cbr\u003eLADIES OF THE CANYON (1970)\u003cbr\u003eBLUE (1971)\u003cbr\u003eon 180-Gram Vinyl\u003cbr\u003eRemastered by Bernie Grundman\u003cbr\u003eCover Art by Joni Mitchell\u003cbr\u003eEssay by Brandi Carlile\u003cbr\u003e \u003cbr\u003eDebuting a New Mix for\u003cbr\u003eSONG TO A SEAGULL\u003cbr\u003eOverseen by Mitchell\"\"\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613875060982,"sku":"603497844548","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/jonimitchell_reprise_cd_box_productshot_1.png?v=1735232164"},{"product_id":"joni-mitchell-archives-vol-4-the-asylum-years-1976-1980-6cd","title":"Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) [6CD]","description":"\u003cp\u003e\u003cstrong\u003eFeatures Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, And 36-Page Book With New Photos \u0026amp; An Extensive Conversation Between Joni \u0026amp; Cameron Crowe\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSourced From Original Stereo Reels, Nagra Film Recordings, Multi-track Tapes, Radio Airchecks \u0026amp; Cassette Tapes\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThroughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA [1976], the gold-certified double-LP DON JUAN’S RECKLESS DAUGHTER [1977], her collaboration with Charles Mingus entitled MINGUS [1979], and live album SHADOWS AND LIGHT [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4: THE ASYLUM YEARS (1976-1980), due October 4th.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable as a 6CD, 4LP (featuring Joni's personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA, DON JUAN’S RECKLESS DAUGHTER, and MINGUS. It covers the Bread \u0026amp; Roses Festival as well as the Anti-Nuclear Rally. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.\u003c\/p\u003e\r\n\r\n\u003cp\u003eVol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613884432630,"sku":"603497823680","price":79.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/03-2024-JoniMitchell-ProductImages-01.png?v=1735232302"},{"product_id":"the-asylum-albums-1972-1975-quadio-boxed-set","title":"The Asylum Albums (1972-1975) (Quadio Boxed Set)","description":"\u003cp\u003e\u003cstrong\u003e4 Blu-ray Set Featuring Remastered Hi-Res Stereo, Dolby Atmos mixes by Grammy® Award Winning producer Ken Caillat and Claus Trelby, and Quad Mixes of FOR THE ROSES (1972), COURT AND SPARK (1974), MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). A brand new 2023 Quad Mix of FOR THE ROSES was done by Bruce Botnick.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eABOUT THE ASYLUM ALBUMS (1972-1975)\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eJoni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece BLUE, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with MINGUS, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.\u003cbr\u003e\r\n \u003cbr\u003e\r\nThe cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: “Joni’s music is so deep and transporting. She comes right from the source. There is no mistaking it…For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns…are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nTHE ASYLUM ALBUMS (1972-1975) follows Mitchell’s musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, “You Turn Me On, I’m A Radio” and her highest-charting (#7) single “Help Me,” plus favorites like “Free Man In Paris,” “Raised On Robbery” and “In France They Kiss On Main Street.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nFOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress’ National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell’s career. It was nominated for multiple Grammy Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for “Down To You.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nMILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. The Hissing Of Summer Lawns was certified gold as well, peaking at #4 on the album chart and earning a Grammy® Award nomination for Best Female Pop Vocal Performance.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613895344374,"sku":"081227817060","price":79.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/JomiM_Asylum_72-75_Quadio-min.png?v=1736364147"},{"product_id":"the-asylum-albums-1976-1980-5cd","title":"The Asylum Albums (1976-1980) [5CD]","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e“It’s not just the artifact – music and lyrics – that Joni gives us. Her artistry leaves us, ourselves, changed. She has shifted things around inside us. And that’s how artists change the world.” - Meryl Streep\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAfter THE HISSING OF SUMMER Lawns tour, Joni Mitchell retreated to Neil Young’s beach house to recover. Eager to travel but undecided about a destination, Mitchell was unexpectedly invited on a cross-country road trip with friends. It was one of three road trips she took between 1975 and 1976 and the beginning of a period defined by wanderlust, both in her physical travels and musical exploration. This transformative phase is the focal point of THE ASYLUM ALBUMS (1976-1980), the next release in the Joni Mitchell Archives series.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe new collection showcases Mitchell at her most daring across HEJIRA (1976), DON JUAN’S RECKLESS DAUGHTER (1977), MINGUS (1979), and the live album SHADOWS AND LIGHT (1980). Renowned audio engineer Bernie Grundman remastered all four releases included in this boxed set from the original flat analog master tapes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDuring this period, Mitchell boldly declared her move from the “hit department” to the “art department.” Critics were slow to catch up, but her creativity was in overdrive. Instead of session aces, she began recording with jazz virtuosos like Larry Carlton and Pat Metheny (guitar), Michael Brecker (saxophone), Herbie Hancock (keyboard), and Don Alias (percussion), as well as several members of Weather Report, including Jaco Pastorius (bass) and Wayne Shorter (saxophone).\u003c\/p\u003e\r\n\r\n\u003cp\u003eHEJIRA stands out as a testament to Mitchell’s artistic evolution. Its subdued instrumentation, coupled with her introspective lyrics, resulted in timeless tracks like “Coyote” and “Furry Sings The Blues” with Young on harmonica. Mitchell once said: “I suppose a lot of people could have written a lot of my other songs, but I feel the songs on Hejira could only have come from me.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eHer journey continued with DON JUAN’S RECKLESS DAUGHTER, a double album of largely experimental music. It included “Paprika Plains,” a side-long piano piece with orchestral arrangements. It found a receptive audience in musical seekers like Bjork, who said the album’s fearless approach later inspired her music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltimately, Mitchell’s path led to Mingus, her collaboration with jazz titan Charles Mingus, who wrote several songs for the project. Mingus died shortly before the album was complete, and Mitchell dedicated it to him. Four songs by Mingus with lyrics written by Mitchell appeared on the album, including a version of “Goodbye Pork Pie Hat,” Mingus’ tribute to saxophonist Lester Young, and one of his most famous compositions. In the album’s liner notes, Mitchell said she felt fully immersed in jazz for the first time while making the record. “It was as if I had been standing by a river – one toe in the water – feeling it out – and Charlie came by and pushed me in – ‘sink or swim’…”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe final entry in THE ASYLUM ALBUMS (1976-1980) is the double live album Shadows and Light. It was Mitchell’s second live album and her last release with Asylum Records. She recorded it during the tour for Mingus in September 1979 at the Santa Barbara Bowl. Except for the performance of her classic song “Woodstock,” the album focused on songs from her most recent albums, like “Amelia,” “Dreamland,” and “The Dry Cleaner From Des Moines.” The Persuasions, a vocal group popular in the 1960s, also appeared on two songs: the title track and a cover of “Why Do Fools Fall In Love.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe cover art for THE ASYLUM ALBUMS (1976-1980) includes a portion of one of Mitchell’s original paintings. Fans will enjoy a full version of the whimsically abstract landscape as an accompanying insert included in the album packaging for both the CD and LP configurations. Accompanying the set is a heartfelt essay penned by Oscar-winning actress Meryl Streep, a lifelong fan of Mitchell’s work.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613901406454,"sku":"603497827015","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/JoniMitchell_AsylumAlbums_76-80_CD.png?v=1735232499"},{"product_id":"court-and-spark-hoodie","title":"Court and Spark Hoodie","description":"\u003cp\u003eLight blue, fleece hoodie featuring the album art from Court and Spark. \u003c\/p\u003e\r\n\r\n\u003cp\u003e77\/23 cotton\/recycled polyester with 100% cotton face\u003cbr\u003e\r\nClassic fit\u003cbr\u003e\r\nHood with buttonhole\u003cbr\u003e\r\nDyed to match drawcord\u003cbr\u003e\r\nSide seams\u003cbr\u003e\r\nPouch pocket\u003cbr\u003e\r\nRibbed cuffs and waistband\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Small \/ Light Blue","offer_id":47613925720310,"sku":"081227833749","price":70.0,"currency_code":"USD","in_stock":true},{"title":"Medium \/ Light Blue","offer_id":47613925654774,"sku":"081227833756","price":70.0,"currency_code":"USD","in_stock":true},{"title":"Large \/ Light Blue","offer_id":47613925622006,"sku":"081227833763","price":70.0,"currency_code":"USD","in_stock":true},{"title":"X-Large \/ Light Blue","offer_id":47613925753078,"sku":"081227833770","price":70.0,"currency_code":"USD","in_stock":true},{"title":"2X-Large \/ Light Blue","offer_id":47613925687542,"sku":"081227833787","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/22JM002_E_nostrings.png?v=1735232700"},{"product_id":"archives-vol-2-the-reprise-years-1968-1971-5-cd-set","title":"Archives, Vol 2: The Reprise Years (1968-1971) 5 CD Set","description":"\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMidnight Cowboy (Home Demo 1)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Dawntreader (Home Demo With Vocal Overdub)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSong To a Seagull (Home Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMidnight Cowboy (Home Demo 2)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Way It Is (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eTurn Around (Incomplete Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eI Had A King (Home Demo With Piano Overdub)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Fiddle and the Drum (Piano Home Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRoses Blue (Home Demo With Peacock Harp Overdub)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eJeremy (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eConversation (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBoth Sides Now (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Gift of the Magi (Song to a Seagull Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIt’s Easy (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eAnother Melody (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntroduction (Live at Canterbury House, Ann Arbor, MI, 3\/10\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eJeremy (Live at Canterbury House, Ann Arbor, MI, 3\/10\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eSongs To Aging Children Come (Live at Canterbury House, Ann Arbor, MI, 3\/10\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #2\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eNight In The City (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eCome To The Sunshine (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To The Pirate Of Penance (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Pirate Of Penance (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro to Conversation (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eConversation (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Way It Is (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To The Dawntreader (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Dawntreader (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eMarcie (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Nathan La Franeer (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eNathan La Franeer (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Dr. Junk (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eDr. Junk (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Michael From Mountains (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eMichael From Mountains (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eGo Tell The Drummer Man (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To I Don't Know Where I Stand (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eI Don't Know Where I Stand (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Sisotowbell Lane (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eSisotowbell Lane (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Ladies Of The Canyon (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eLadies Of The Canyon (Live at Le Hibou Coffee House, Ottawa, Ontario, 3\/19\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eCome To The Sunshine (Studio Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\"My second album\" (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\"Lambert, Hendricks \u0026amp; Ross\" (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Pirate Of Penance (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Chelsea Morning: John Peel (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eChelsea Morning (with The John Cameron Group) [Live on Top Gear, BBC Radio, London, England, 9\/23\/19\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To The Gallery: John Peel (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Gallery (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Night In The City: John Peel (Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\u003cspan style=\"color:#444444\"\u003eNight In The City (with The John Cameron Group) [Live on Top Gear, BBC Radio, London, England, 9\/23\/1968)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #4\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntro To Urge For Going (Live at Carnegie Hall, New York, NY, 2\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eUrge For Going (Live at Carnegie Hall, New York, NY, 2\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eConversation (Clouds Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eBlue Boy (Clouds Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Priest (Clouds Session)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eJesus (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003ePlaying Piano And Vocalizing (Chelsea Recording)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eChelsea Morning (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eWilly (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eFor Free (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eInterview (with Dick Cavett) [Live on The Dick Cavett Show, New York, NY, 8\/18\/1969]\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eThe Fiddle And The Drum (Live on The Dick Cavett Show, New York, NY, 8\/18\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eWoodstock (Ladies Of The Canyon Sessions Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\"As I Lie Thinking In My Backyard On August 2nd...\" (Live at Centennial Auditorium, Saskatoon, Saska\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eRoses Blue (Live at Centennial Auditorium, Saskatoon, Saskatchewan, 11\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eRainy Night House (Live at Centennial Auditorium, Saskatoon, Saskatchewan, 11\/1\/1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eLadies Of The Canyon (With Cellos) [Ladies Of The Canyon Sessions]\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eBlue Boy (With Recorder Coda) [Ladies Of The Canyon Sessions]\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eAll I Want (Live on In Concert, BBC, London, England, 9\/3\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eA Case Of You (Blue Sessions Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eCalifornia (Blue Sessions Demo)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"color:#444444\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003eIntroduction By James Taylor (Live at Pacific Coliseum, Vancouver, BC, 10\/16\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"background:white\"\u003e\u003cspan style=\"color:#444444\"\u003eMedley: Big Yellow Taxi\/Bony Moronie (Live at Pacific Coliseum, Vancouver, BC, 10\/16\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCD #5 \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntroduction - John Peel (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThat Song About The Midway (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To The Gallery (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Gallery (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eHunter (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To River (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eRiver (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eMy Old Man (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Priest (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\"This is a mountain dulcimer\" (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCarey (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eA Case Of You (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/19\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To California (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eCalifornia (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970]\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To For Free (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eFor Free (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970]\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To The Circle Game (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eThe Circle Game (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To You Can Close Your Eyes (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eYou Can Close Your Eyes (with James Taylor) [Live on In Concert, BBC, Paris Theatre, London, England\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBoth Sides Now (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eIntro To Big Yellow Taxi (Live on In Concert, BBC, Paris Theatre, London, England, 10\/29\/1970)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cspan style=\"font-size:11pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003eBig Yellow Taxi (Live on In 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Express Live\u003cbr\u003e\r\n2 LP-set on 180 Gram Vinyl\u003cbr\u003e\r\nRemastered by Bernie Grundman under the supervision of Joni Mitchell\u003cbr\u003e\r\nIncludes \"Big Yellow Taxi,\" \"Carey,\" and \"Jericho\"\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613959897334,"sku":"603497841332","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/3-2023-JoniM-ProImage-MilesOfAisles.png?v=1735233107"},{"product_id":"archives-vol-3-the-asylum-years-1972-1975-4lp","title":"Archives, Vol. 3: The Asylum Years (1972- 1975) (4LP)","description":"\u003cul\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eNever-Before-Heard Demos, Early \u0026amp; Alternate Versions of Classic Songs, Historical Performances\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eBook Featuring Photos \u0026amp; Conversation With Joni \u0026amp; Cameron Crowe\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cem\u003e\u003cstrong\u003eSessions With James Taylor, Neil Young \u0026amp; Tom Scott \u0026amp; the L.A. Express\u003c\/strong\u003e\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eCome 1972, Joni’s singular songwriting talent and poetic gifts were undeniable. Fresh off the back-to-back Platinum-certified releases of 1970’s LADIES OF THE CANYON and 1971’s BLUE — totemic albums whose artfulness and ubiquity would influence generations of songwriters — Joni had grown wary of mounting media scrutiny. Everything from her style choices to romantic partners became the subject of far more gossip column inches than were ever dedicated to the lifestyle minutiae of her male counterparts. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIn response, she had pulled back, announcing an early retirement from the stage in 1970 and moving to the quiet expanses of British Columbia’s Sunshine Coast. It was a fruitful change of scenery. Inspired by her proximity to nature and refreshed by the peaceful seclusion, she began constructing the songs that would become FOR THE ROSES. This respite thrust Mitchell into a remarkably fertile creative period, yielding a run of albums — 1972’s FOR THE ROSES, 1974’s COURT AND SPARK, and 1975’s THE HISSING OF SUMMER LAWNS — that would simultaneously expand and refine the scope of her music. Her adventurous, intricate arrangements and growing formidability as a bandleader injected these songs with a clarity of purpose, a potent muscularity, and a sense of possibility — it is among the most exciting eras of a near peerless career.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis era comes into even greater focus on JONI MITCHELL ARCHIVES, VOL. 3: THE ASYLUM YEARS (1972-1975). It’s the latest entry in the GRAMMY-winning series exploring the vast untapped archives of rare Joni recordings — a project guided intimately by Joni's own vision and personal touch. The collection begins with an early cut of “Cold Blue Steel And Sweet Fire,” one of two songs (along with “For The Roses”) test-driven during a visit to a Graham Nash David Crosby recording session at Wally Heider’s in Hollywood.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrom there, you'll be treated to early demos and alternate versions from sessions from FOR THE ROSES, COURT \u0026amp; SPARK, and THE HISSING OF SUMMER LAWNS; historic live show recordings, including the entirety of Mitchell’s triumphant 1972 return to Carnegie Hall and a definitive gig with her COURT AND SPARK backing band Tom Scott \u0026amp; the L.A. Express; and tracks from sessions cut alongside James Taylor, Graham Nash, and Neil Young.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47613990338806,"sku":"603497834310","price":99.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/3-2023-JoniM-ProImage-Archives_Vol3_20LP.png?v=1735233435"},{"product_id":"the-asylum-albums-1972-1975-5lp","title":"The Asylum Albums (1972-1975) [5LP]","description":"\u003cp\u003e180-Gram Vinyl,  Limited Edition Of 20,000\u003cbr\u003e\r\n \u003cbr\u003e\r\nJoni Mitchell was at a turning point 50 years ago. After making four acclaimed albums with Reprise Records, including her 1971 masterpiece Blue, she left the label to join the brand-new Asylum Records in 1972. Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. The evolution culminated in 1979 with Mingus, her collaboration with jazz titan Charles Mingus, and her studio last album for Asylum.\u003cbr\u003e\r\n \u003cbr\u003e\r\nExplore the beginning of that prolific era with THE ASYLUM ALBUMS (1972-1975), the next installment in the Joni Mitchell Archives series. The collection features newly remastered versions of FOR THE ROSES (1972), COURT AND SPARK (1974), the double live album MILES OF AISLES (1974), and THE HISSING OF SUMMER LAWNS (1975). All four were recently remastered by Bernie Grundman.\u003cbr\u003e\r\n \u003cbr\u003e\r\nThe cover art for THE ASYLUM ALBUMS (1972-1975) features a previously unseen painting by Mitchell. The set also includes an essay by friend and fellow Canadian Neil Young. He writes: “Joni’s music is so deep and transporting. She comes right from the source. There is no mistaking it…For The Roses, Court And Spark, Miles Of Aisles, and The Hissing Of Summer Lawns…are all classics in my book. I listened to every album as it came out. The musicians she played with were always above my abilities. She had grown from folk to jazz and in between, creating a unique kind of sound that I loved to listen to over and over.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nTHE ASYLUM ALBUMS (1972-1975) follows Mitchell’s musical evolution over four albums as she embraced more jazz-inspired pieces and moved away from the folk and pop of her early years. It includes essential tracks like her first Top 40 hit, “You Turn Me On, I’m A Radio” and her highest-charting (#7) single “Help Me,” plus favorites like “Free Man In Paris,” “Raised On Robbery” and “In France They Kiss On Main Street.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nFOR THE ROSES, which was released 50 years ago this November, was certified gold and added to the Library of Congress’ National Recording Registry in 2007. Court And Spark topped the U.S. album chart and was certified double platinum, making it the best-selling album of Mitchell’s career. It was nominated for multiple Grammy Ò Awards, including Album of the Year, and won Best Arrangement Accompanying Vocalist for “Down To You.”\u003cbr\u003e\r\n \u003cbr\u003e\r\nMILES OF AISLES is a double live album that spotlights the tour for Court And Spark. It reached #2 on the album chart and was certified gold. 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Featuring Herbie Hancock, Wayne Shorter, and Jaco Pastorius.\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":47747841130742,"sku":"0603497826704","price":999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/1-2024-JM-ProImage-Mingus_BlackVinyl.png?v=1738957271"},{"product_id":"blue-atmos-blu-ray","title":"Blue (Atmos) (Blu-ray)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDolby Atmos And New 192\/24 Resolution Quadraphonic By Bruce Botnick \u003cbr\u003eStereo Mixes Are The Original Henry Lewy Mixes\u003cbr\u003eBonus Tracks From Archives 2\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOn June 22, 1971, Joni Mitchell released BLUE, concluding her prolific four album run for Reprise Records with an album considered by many to be one of the greatest of all time. Its stirring, confessional songs have been celebrated by music lovers and critics alike for decades while inspiring a wide variety of artists as diverse as Prince and Taylor Swift. Even today, its stature as a masterpiece continues to grow. 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Produced by close collaborator Brandi Carlisle, along with Mitchell.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTrack Listing: \u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eSide A \u003cbr\u003e01 Introduction by Brandi Carlile \u003cbr\u003e02 Big Yellow Taxi (feat. The Joni Jam) [Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022] \u003cbr\u003e03 A Case of You (feat. The Joni Jam) [Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022] \u003cbr\u003e04 Amelia (feat. The Joni Jam) [Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022] \u003cbr\u003eSide B\u003cbr\u003e01 Both Sides Now (Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022) \u003cbr\u003e02 Just Like This Train (Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022) \u003cbr\u003e03 Summertime (Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022) \u003cbr\u003eSide C \u003cbr\u003e01 Carey (feat. The Joni Jam) [Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022] \u003cbr\u003e02 Help Me (feat. The Joni Jam) [Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022] \u003cbr\u003e03 Come in From the Cold (feat. The Joni Jam) [Live at the Newport Folk Festival, Newport, RI, 7\/24\/2022]\u003cbr\u003eSide D\u003cbr\u003e01 Shine (feat. 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The dozen originals on the 1970 set include some of Mitchell's most popular compositions, among them “Big Yellow Taxi,” “Woodstock” and “The Circle Game” - songs that may be better known from covers (by Janet Jackson, CSNY and Tom Rush, respectively), but Joni's versions are just as memorable. Though certified Platinum, LADIES OF THE CANYON was neither Mitchell's biggest seller or most famous album – but it may be the hidden gem in one of rock's most rewarding catalogs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTrack Listing\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eSide A \u003cbr\u003e01 Morning Morgantown (2021 Remaster) \u003cbr\u003e02 For Free (2021 Remaster) \u003cbr\u003e03 Conversation (2021 Remaster) \u003cbr\u003e04 Ladies Of The Canyon (2021 Remaster) \u003cbr\u003e05 Willy (2021 Remaster) \u003cbr\u003e06 The Arrangement (2021 Remaster) \u003cbr\u003eSide B\u003cbr\u003e01 Rainy Night House (2021 Remaster) \u003cbr\u003e02 The Priest (2021 Remaster) \u003cbr\u003e03 Blue Boy (2021 Remaster) \u003cbr\u003e04 Big Yellow Taxi (2021 Remaster) \u003cbr\u003e05 Woodstock (2021 Remaster) \u003cbr\u003e06 The Circle Game (2021 Remaster)\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":49757333553398,"sku":"081227882556","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/RCV1_6376_081227882556_Joni_Mitchell_LadiesOfTheCanyon_ColorVinyl.png?v=1765169860"},{"product_id":"the-hissing-of-summer-lawns-lp-remaster-ltd-clear","title":"The Hissing Of Summer Lawns (LP, Remaster, Clear)","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eJoni Mitchell’s classic 1975 album on 1LP vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eSide A \u003cbr\u003e01 In France They Kiss On Main Street (2022 Remaster) \u003cbr\u003e02 The Jungle Line (2022 Remaster) \u003cbr\u003e03 Edith And The Kingpin (2022 Remaster) \u003cbr\u003e04 Don't Interrupt The Sorrow (2022 Remaster) \u003cbr\u003e05 Shades Of Scarlett Conquering (2022 Remaster) \u003cbr\u003eSide B\u003cbr\u003e01 The Hissing Of Summer Lawns (2022 Remaster) \u003cbr\u003e02 The Boho Dance (2022 Remaster) \u003cbr\u003e03 Harry's House\/Centerpiece (2022 Remaster) \u003cbr\u003e04 Sweet Bird (2022 Remaster) \u003cbr\u003e05 Shadows And Light (2022 Remaster)\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":49757553918198,"sku":"081227882648","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/RCV1_1051_081227882648_JoniMitchell_HissingSummerLawns_ColorVinyl.png?v=1765170014"},{"product_id":"miles-of-aisles-2lp-180-gram-vinyl-reissue-remaster-trans-sea-blue","title":"Miles Of Aisles (2LP, 180-gram Vinyl, Reissue, Remaster, Trans Sea-Blue)","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eJoni Mitchell and the L.A. Express Live \u003cbr\u003e2 LP-set on 180 Gram Vinyl \u003cbr\u003eRemastered by Bernie Grundman under the supervision of Joni Mitchell \u003cbr\u003eIncludes \"Big Yellow Taxi,\" \"Carey,\" and \"Jericho\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eSide A \u003cbr\u003e01 You Turn Me On, I'm A Radio (Live) [2022 Remaster]\u003cbr\u003e02 Big Yellow Taxi (Live) [2022 Remaster]\u003cbr\u003e03 Rainy Night House (Live) [2022 Remaster]\u003cbr\u003e04 Woodstock (Live) [2022 Remaster]\u003cbr\u003eSide B\u003cbr\u003e01 Cactus Tree (Live) [2022 Remaster]\u003cbr\u003e02 Cold Blue Steel And Sweet Fire (Live) [2022 Remaster]\u003cbr\u003e03 Woman Of Heart And Mind (Live) [2022 Remaster]\u003cbr\u003e04 A Case Of You (Live) [2022 Remaster]\u003cbr\u003e05 Blue (Live) [2022 Remaster]\u003cbr\u003eSide C \u003cbr\u003e01 Circle Game (Live) [2022 Remaster]\u003cbr\u003e02 People's Parties (Live) [2022 Remaster]\u003cbr\u003e03 All I Want (Live) [2022 Remaster]\u003cbr\u003e04 Real Good For Free (Live) [2022 Remaster]\u003cbr\u003e05 Both Sides Now (Live) [2022 Remaster]\u003cbr\u003eSide D\u003cbr\u003e01 Carey (Live) [2022 Remaster]\u003cbr\u003e02 The Last Time I Saw Richard (Live) [2022 Remaster]\u003cbr\u003e03 Jericho (Live) [2022 Remaster]\u003cbr\u003e04 Love Or Money (Live) [2022 Remaster]\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":49757648519414,"sku":"081227882655","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/RCV1_202_081227882655_JoniMitchell_MilesOfAisles_2LP_ColorVinyl.png?v=1765170133"},{"product_id":"hejira-demos-lp-bf24-ex","title":"Hejira Demos (LP)","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis much anticipated vinyl breakout comes straight from the Joni Mitchell Archives, Vol. 4 boxset, pressed on 180g black vinyl, and featuring Mitchell's March 1976 solo demos from one of her most acclaimed albums. 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It was released on June 13, 1979, and was her last studio album for Asylum Records. The album is a collaboration between Mitchell and Charles Mingus. It was recorded in the months before and after Mingus' death in January 1979 and is wholly dedicated to him. The album is one of Mitchell's most experimental and jazz-centric works. Mingus originally wrote six compositions ('Joni I-VI') for Mitchell to write lyrics for; three of these were included on the album. Two other tracks written exclusively by Mitchell are included, alongside a new version of Mingus' standard \"Goodbye Pork Pie Hat\", featuring lyrics written by Mitchell. In addition to these, five spoken word tracks (denoted as 'raps') are dispersed throughout the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eSide A \u003cbr\u003e01 Happy Birthday 1975 (Rap) [2024 Remaster]\u003cbr\u003e02 God Must Be a Boogie Man (2024 Remaster)\u003cbr\u003e03 Funeral (Rap) [2024 Remaster]\u003cbr\u003e04 A Chair in the Sky (2024 Remaster)\u003cbr\u003e05 The Wolf That Lives in Lindsey (2024 Remaster)\u003cbr\u003eSide B\u003cbr\u003e01 I's a Muggin' (Rap) [2024 Remaster]\u003cbr\u003e02 Sweet Sucker Dance (2024 Remaster)\u003cbr\u003e03 Coin in the Pocket (Rap) [2024 Remaster]\u003cbr\u003e04 The Dry Cleaner From Des Moines (2024 Remaster)\u003cbr\u003e05 Lucky (Rap) [2024 Remaster]\u003cbr\u003e06 Goodbye Pork Pie Hat (2024 Remaster)\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":49757777821942,"sku":"603497826094","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/603497826094_Joni_Mitchell_Mingus_ColorVinyl.png?v=1765170309"},{"product_id":"court-and-spark-demos-lp","title":"Court And Spark (Demos) (LP)","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eCOURT AND SPARK is Joni Mitchell's most commercially successful album of her career. This LP features the never-before-heard demos from the iconic album, including \"Help Me\" and \"Raised On Robbery.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eSide A \u003cbr\u003e01 Piano Suite: Down to You \/ Court and Spark \/ Car on a Hill \/ Down to You (Court and Spark Demo) \u003cbr\u003e02 People's Parties (Court and Spark Demo) \u003cbr\u003eSide B\u003cbr\u003e01 Help Me (Court and Spark Demo) \u003cbr\u003e02 Just Like This Train (Court and Spark Demo) \u003cbr\u003e03 Raised on Robbery (Court and Spark Demo) \u003cbr\u003e04 Trouble Child (Court and Spark Demo)\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":49757862887670,"sku":"603497834686","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/JoniMitchell_CourtAndSparkDemos_1LP_ProductShot.png?v=1765170418"},{"product_id":"court-and-spark-rhino-high-fidelity","title":"Court and Spark (Rhino High Fidelity)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eAAA Cut From The Original Stereo Master Tapes By Kevin Gray\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePressed On 180-Gram Heavyweight Vinyl At Optimal\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHeavyweight Glossy Gatefold Jacket\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFeatures An Exclusive Insert With A Q\u0026amp;A With Joni\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLimited Numbered Edition Of 5,000\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eExclusive To Rhino.com\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eJoni Mitchell reached a creative and commercial high-water mark with 1974’s COURT AND SPARK, an album that signaled her move from folk toward a sophisticated, jazz-inflected pop sound. Recorded with the jazz-fusion ensemble the L.A. Express, the record became the most successful of Mitchell’s career, peaking at #2 on the Billboard 200 and producing her highest-charting singles, “Help Me” (#7) and “Free Man In Paris” (#22). A critical juggernaut, the album earned three GRAMMY® nominations—including Album of the Year—and won for Best Instrumental Arrangement Accompanying Vocalist(s) for “Down To You.” Today, it remains a cornerstone of the 1970s singer-songwriter era.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50595402449142,"sku":"081227806514","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/JoniMitchell_CourtAndSpark_HiFiExploded_f3befef3-6c35-494d-b898-3fb2cc8ace73.png?v=1778703881"},{"product_id":"court-and-spark-rhino-high-fidelity-ukeu","title":"Court and Spark (Rhino High Fidelity)","description":"","brand":"Joni Mitchell","offers":[{"title":"Default Title","offer_id":50617438732534,"sku":"0081227806514","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/6162\/2262\/files\/JoniMitchell_CourtAndSpark_HiFiExploded.png?v=1778664729"}],"url":"https:\/\/store.rhino.com\/en-gb\/collections\/joni-mitchell.oembed","provider":"Rhino","version":"1.0","type":"link"}