- Product Details
- Track Listing
Limited To 300, Exclusive To Rhino.com
On June 14, 1970, the Grateful Dead released WORKINGMAN’S DEAD, an album that was unlike anything they’d ever done, one that showed the world a new side of the Dead. It was clearly the same band as before, but now with a distinctly different sound and approach to the music, pivoting from psychedelic improvisation to folk-rock storytelling for the “everyman,” as the album’s title suggests.
While the Dead’s first three studio albums appealed to many, the group didn’t yet have the mass breakthrough that would make the entire world take notice of this band of misfits from the Bay Area. WORKINGMAN’S DEAD changed all that. With eight perfect songs – like “Casey Jones” and “High Time” – the album solidified the Jerry Garcia-Robert Hunter songwriting tandem as one of the best and most important songwriting collaborations in music history. The album reached the Top Thirty and included the single “Uncle John’s Band,” which climbed to #69 on the Billboard Hot 100 singles chart.
Garcia, Bob Weir, Ron “Pigpen” McKernan, Phil Lesh, Bill Kreutzmann, and Mickey Hart recorded the album in about 10 days at Pacific High Recording Studio in San Francisco with Bob Matthews and Betty Cantor – the band’s live-sound engineers – as producers.
ABOUT REEL-TO-REEL
Once the gold standard for serious listeners, reel-to-reel delivers studio-quality sound — bringing the master tape experience into your home.
Each Reel-to-Reel title is duplicated in real time from a 1:1 copy of the original analog master tape, faithfully reflecting the source. The result is a master-quality listening experience that captures the full dynamics of the recording without the surface noise or groove wear of vinyl. Produced to the IEC standard on premium RTM LPR90 tape stock and housed on 10.5-inch metal reels, these releases are designed for exceptional longevity when stored in a cool, clean place away from magnetic fields.
These 15 i.p.s. half-track 1/4" reel-to-reel tapes are produced to the IEC equalization standard on premium RTM LPR90 tape stock and housed on 10.5" metal reels. These releases are designed for exceptional longevity when stored in a cool, clean place away from magnetic fields.
Originating in Germany in 1928, the reel-to-reel recording process produces pristine sound. It has been favored by audiophiles and musicians since its commercial debut in the late 1940s, with pioneers like Jack Mullin and Ampex introducing this format to singer Bing Crosby. The magnetic tape format gave musicians the ability to re-record, erase, and edit their recordings—features that had not been available before.
Reel-to-Reel builds on Rhino High Fidelity’s dedication to premium sound, pairing essential albums with the unrivaled warmth of reel-to-reel. Celebrating the enduring appeal of analog sound, the series offers collectors a format that preserves music exactly as it was meant to be heard.
Limited To 300, Exclusive To Rhino.com
On June 14, 1970, the Grateful Dead released WORKINGMAN’S DEAD, an album that was unlike anything they’d ever done, one that showed the world a new side of the Dead. It was clearly the same band as before, but now with a distinctly different sound and approach to the music, pivoting from psychedelic improvisation to folk-rock storytelling for the “everyman,” as the album’s title suggests.
While the Dead’s first three studio albums appealed to many, the group didn’t yet have the mass breakthrough that would make the entire world take notice of this band of misfits from the Bay Area. WORKINGMAN’S DEAD changed all that. With eight perfect songs – like “Casey Jones” and “High Time” – the album solidified the Jerry Garcia-Robert Hunter songwriting tandem as one of the best and most important songwriting collaborations in music history. The album reached the Top Thirty and included the single “Uncle John’s Band,” which climbed to #69 on the Billboard Hot 100 singles chart.
Garcia, Bob Weir, Ron “Pigpen” McKernan, Phil Lesh, Bill Kreutzmann, and Mickey Hart recorded the album in about 10 days at Pacific High Recording Studio in San Francisco with Bob Matthews and Betty Cantor – the band’s live-sound engineers – as producers.
ABOUT REEL-TO-REEL
Once the gold standard for serious listeners, reel-to-reel delivers studio-quality sound — bringing the master tape experience into your home.
Each Reel-to-Reel title is duplicated in real time from a 1:1 copy of the original analog master tape, faithfully reflecting the source. The result is a master-quality listening experience that captures the full dynamics of the recording without the surface noise or groove wear of vinyl. Produced to the IEC standard on premium RTM LPR90 tape stock and housed on 10.5-inch metal reels, these releases are designed for exceptional longevity when stored in a cool, clean place away from magnetic fields.
These 15 i.p.s. half-track 1/4" reel-to-reel tapes are produced to the IEC equalization standard on premium RTM LPR90 tape stock and housed on 10.5" metal reels. These releases are designed for exceptional longevity when stored in a cool, clean place away from magnetic fields.
Originating in Germany in 1928, the reel-to-reel recording process produces pristine sound. It has been favored by audiophiles and musicians since its commercial debut in the late 1940s, with pioneers like Jack Mullin and Ampex introducing this format to singer Bing Crosby. The magnetic tape format gave musicians the ability to re-record, erase, and edit their recordings—features that had not been available before.
Reel-to-Reel builds on Rhino High Fidelity’s dedication to premium sound, pairing essential albums with the unrivaled warmth of reel-to-reel. Celebrating the enduring appeal of analog sound, the series offers collectors a format that preserves music exactly as it was meant to be heard.
